Yet another excellent tasting with Marc Udy from Villa Maria, ably assisted by Kirsty Warbrick, presenting a range of great wines including some from their Platinum Range. Marc is one of the winemakers from Marlborough. He was a good speaker and the consensus is that the winery has been really easy to deal with.
To reiterate the tasting included the Cellar Selection Rose 2018; Reserve Wairua Sauvignon 2018; Single Vineyard Seddon Pinot Gris 2018; Reserve Marlborough Chardonnay 2016; Platinum Selection Pinot Noir 2018; Cellar Selection Grenache 2017, rounded off with the Cellar Selection Late Harvest Riesling 2015. An enjoyable night.
These words were uttered by the French-born English wine merchant and author André Simon in 1964 when tasting Hawke’s Bay winery Te Mata’s 1912 red blend. More than half a century after it was first made – the same year as the sinking of the Titanic – the red wine was still very much alive, so why has New Zealand not developed a reputation for making age worthy wines?
Two words: Sauvignon Blanc.
The New Zealand wine industry is dominated by a grape variety that is typically fermented and put into bottle within months – or even weeks – of being harvested. ‘Picked, pressed and pissed before Christmas’ is the life cycle of Sauvignon Blanc in some winemakers’ view. Why wait for Christmas when you can drink the wine before Easter? Moana Park winery has released a Sauvignon Blanc on April 1 and that was no April Fools. If the previous vintage has been small and stocks are running low, a few blocks might be picked early to produce a wine to bridge the gap between vintages, such as Villa Maria’s Early Release Sauvignon Blanc.
However, there are a growing number of smaller, quality focused producers that are holding back their Sauvignon Blancs before releasing, giving them time on lees and time in bottle. Having tasted some of Marlborough’s finest Sauvignon Blancs at seven or eight years old, drinkers need not be in such a hurry. Putting the brakes on wineries releasing wines doesn’t help their cash flow and with grape growers to pay and bank repayments due, accountants can overrule winemakers, putting the onus on drinkers to put the wines in their usually non-existent cellars.
It is partly a matter of wine culture: New Zealand does not have a long-standing tradition of making and drinking wine. Having rejected Prohibition in 1919, the country continued to operate under a cloud of abstemiousness, promoted by restrictive licensing laws. Until 1961, New Zealanders couldn’t enjoy a glass of wine with a meal in a restaurant. The 1960s brought licensing change with more and more restaurant licences granted, a rise in the number of wine shops while a rise in tax on beer and spirits in the 1958 ‘Black Budget’ gave wine an encouraging bump.
The 1950s witnessed the birth of aspirational winemakers and pioneers seeking to move away from fortified wine and hybrids to quality table wine made from vitis vinifera, which gained increasing momentum, culminating in legislation outlawing a sugar and water culture and a state-sponsored vine pull in the 1980s. In the 1970s, regular wine columns had appeared in several newspapers, catering for an educated population who had done their ‘OE’ (overseas experience), travelling around Europe, experiencing wine and food culture. From just 174ml of wine per capita in the early 1960s, wine consumption increased to 5.3 litres by the end of the 1970s. In 2016, the figure stood at 20.2 litres but has remained stagnant for a decade. (Come on team, get drinking, we have to lift this again – Ed)
Red wines in New Zealand, like whites, are all too often released early and consumed early, meaning there are few older vintages available to purchase and enjoy. There are relatively few wine collectors and fine dining restaurants with cellars and mature stocks of New Zealand wine and thus some wineries are starting to take responsibility for ageing their wines until they approach their drinking window. Judy Fowler, owner of Puriri Hills Vineyard in Clevedon, Auckland, which specialises in Bordeaux blends, has a Brunello di Montalcino approach to releasing her reds. “My late release policy is based on the fact that we attempt to produce Bordeaux-blended wines made in the longstanding traditions of Bordeaux. The great Bordeaux generally benefit from ageing five to 10 years or longer. Our wines are built to age well. However, we are a small, newer vineyard [established 1998] with perhaps another 300 years to earn the reputation for quality that the grands crus of Bordeaux have. As such, we do not expect our customers all to want to wait for five or more years to taste our wines at their best, so we do the ageing here at the vineyard before release.” While Fowler is not alone, most wineries don’t apply the release-when-ready-to-drink policy across the entire range, as it can leave suppliers wine-less and raise the prospect of delisting.
It is difficult to judge the ageability of New Zealand wines with so little precedent. In the past decade, young vines have matured, viticulture has evolved, winemaking has become more refined: a Pinot Noir produced 10 years ago from young vines by winemakers that were still getting to know their site will be quite different today than a current vintage opened in a decade’s time. When asked to provide drinking windows for a recent Central Otago Pinot Noir or Hawke’s Bay Cabernet Sauvignon, it is a case of pinning the tail on the donkey.
However, there’s no doubting the country’s best wines have the components to age gracefully: intensity of fruit, richness of ripe tannins, acidity (and pH), alcohol and magic all play their part in the development of a red wine. In whites, high levels of acidity and flavour precursors elongate their shelf life.
There’s also a small matter of the closure: screwcaps are omnipotent in New Zealand. Although a small but significant number of producers continue to seal their top Bordeaux blends under cork (while putting the rest of their range under screwcap), it is likely that the wines will age more slowly, because of the lower rate of oxygen ingress compared with a natural cork.
What is clear, is that far too many New Zealand wines are being consumed before they are out of nappies. It’s time to let them grow up.
As you will note from the “looking back” item we have taken on board the complaint from a number of those attending the July dinner re the quantity of food provided. We will be taking this up with Saigon Van.
You may remember tasting the Seifried Zweigelt at the Seifried tasting back in August 2017.
You may be interested that the wine has been mentioned by Jancis Robinson in an article about some of the different wines now being tried by New Zealand producers.
The accent on Sauvignon Blanc and Pinot Noir is well established but there is an increasing move towards different varietals and the article comments on a number of these. Anne Seifried was rapt to get a message from Jancis telling her how good their Zweigelt is.
A warm summer benefited New Zealand’s winegrowing regions, with 419,000 tonnes of grapes harvested during Vintage 2018.
This is up 6% on the 2017 tonnage but is still lower than initially anticipated in a season marked by a very early start to harvesting.
New Zealand Winegrowers CEO Philip Gregan says many wineries had been hoping for an even larger vintage, given 2017’s small harvest.
“However, we now expect export growth in the year ahead will be modest. It will be up to wineries to manage any product shortages from the vintage.”
In addition to prompting an early harvest, the warm summer produced fruit with good ripeness levels.
A highlight from Vintage 2018 is the increased production of red wines. “Production of both Pinot Noir and Merlot has lifted more than 20% on last year, which will be welcomed by both wineries and consumers. These varieties were down sharply in 2017 and it is very positive to see a return to more normal production levels this year,” Mr Gregan says.
New Zealand Winegrowers is confident Vintage 2018 wines will add to New Zealand’s reputation as a premium producer of cool climate wines.
“Every vintage is different and ultimately the final test is the quality delivered in the bottle to consumers. We are certain that consumers will enjoy the benefits of the warm summer when they get to taste the wines from Vintage 2018,” Mr Gregan says.
New Zealand wine exports are currently valued at $1.71 billion, up 3% in the past year. Wine is New Zealand’s fifth largest export good.
For further information contact:
Philip Gregan Chief Executive Officer New Zealand Winegrowers 021 964564
What a great evening with Mark and Susan. A nice blend of where they have come from and an outline of where the business is going now. Their business in Martinborough has taken an upturn with the introduction of platters at their tasting room. This has guided them into the tourism area and is looking very promising for them.
To recoup on the wines we started with the Rose 2017 as the quaffer. It is a dry style rose but with huge fruit sweetness and flavours of strawberries and raspberries. That was followed by the dry Pinot Gris and the two drier Gewurtztraminer’s. After a break we tasted the 2012 Pinot Noir, followed by the Reserve Pinot from 2013, which was a superb wine. It won a gold medal from the Air NZ Wine Awards. We then finished with the sweet Auslese Gewurztraminer 2013 (Pamela) that is a luscious wine.
Some good orders which was very pleasing for Susan and Mark. There were two things following from the evening. With harvest fast approaching there is often a need for pickers. If you are interested please let them know. Secondly, Haythornthwaite will give Club members a 10% discount at the tasting room. Give it a try, a trip to the Wairarapa, a platter and a tasting of some really nice wines. What more could you want?
We were finding that working too far ahead occasionally left us in trouble with late cancellations so your committee decided to arrange tastings a little closer to the time. This does not seem to be working out so well and we are in repair mode over the April tasting. Rest assured though that something will be arranged that will meet the usual high standard of our events.
Summer romance tasting
At the February summer romance tasting, I mentioned that the Lansdowne wines could be purchased. The offer was not taken up at the time but is still on the table. Lansdowne produces three wines and they are of a very high quality. There was some really good feedback on the Pinot Gris on the night. The wines have been bottle aged but will all cellar well. The Pinot Gris is $19.55 while their Pinot Noir and Syrah are more expensive at $38.25. These prices include a 15% but are only available through me. Let me know if you are interested.
Wine of Australia
Shows the value of reading the label fully. The Montana Wines mentioned will say “Wine of Australia” on the back. Clearly to be avoided if you want to be sure you are drinking NZ wines.
Kiwis are drinking their red wines too warm and our whites too cold, according to expert sommeliers.
Refrigeration leaves white too cold, and chances are red is too warm in the current summer weather.
Wellington wine bar Noblerot served its wines at a range of temperatures according to the varietal; the prime range for red wine was between 18 and 22 degrees.
Co-owner and sommelier Maciej Zimny said lighter, fruitier reds, such as pinot noir, lent themselves to being chilled to the bottom of that range.
During warmer summer weather, Zimny recommended chilling red wine from up to 10 minutes before serving, which would reduce the temperature by between three and five degrees.
“When you taste the wine, at a lower temperature it seems complete,” he said.
“Even when it’s slightly colder that it should be it will provide much more pleasure.”
That’s because of the alcoholic smell was exaggerated when it was warm, which was unappetising, according sommelier at Auckland’s French Cafe, Stephanie Guth.
She said. however, the sight of a chilled red wine was odd for customers.
“You want to do it justice but it’s such a weird thing for people to see, red wine in an ice bucket, even though you know it might benefit from it,” Guth said.
Twenty minutes in an ice-bucket before opening and drinking might help to boost the flavour in a pinot noir.
“The more complex the wine you have, the warmer it should be served,” Zimny said, referring to rich red wines such as merlot or Bordeaux varietals.
Conversely white wine should be served chilled, however complex oaky chardonnays should be served slightly warmer than other whites.
So chardonnay’s flavours lent better to slightly warmer temperatures than sauvignon blanc, about 14 degrees as opposed to 10 degrees, because it was important to make sure oak flavours were prominent.
Pinot noir and chardonnay hailed from the Burgundy region of France, and both were classically stored in the same cellar under the same conditions. He said wines have either been served too warm or too cold since the invention of refrigerators.
Cellar temperature was perceived as something quite different to what was initially intended, room temperature, Guth said.
Leaving white wine to warm up slightly released flavours hidden by colder temperatures.
“It doesn’t harm the wine but you tend to get a little more out of the aromas.”
The only reason one should drink a bottle straight out of the fridge was “if you don’t want to taste your wine”, she said.
TROPHY: “Champion Sparkling Wine”, Air New Zealand Wine Awards 2017, NZ GOLD: Air New Zealand Wine Awards 2017, NZ
Variety: 50% Pinot Noir / 50% Chardonnay Vineyard: Seifried Cornfield and Brightwater Vineyards Sugar at Harvest: 19.4°Brix Date of Harvest: Early March 2011 Disgorgement Date: September 2016 T.A of Wine: 5.8g/L Residual Sugar: 1g/L (Brut) Alc.: 12.5% vol. Suitable for Vegetarians: Yes
In 1971 my father Hermann Seifried arrived in New Zealand with a dream of making great wines. He and my mother Agnes pioneered modern winemaking in the Nelson region, planting the first vines and in 1976 producing their first wines. Now, 40 years later we celebrate their vision and the arrival of the next generation, our children, who are growing up in the vineyard and winery. We hope that they too will share the passion for crafting fine wines.
Our Aotea Méthode Traditionnelle is a very special wine. Two parcels of fruit were hand picked at ideal ripeness for this classical Méthode Traditionnelle Cuvée. The Pinot Noir is from our Brightwater Vineyard while the Chardonnay comes from our Cornfield Vineyard. The blend is 50/50 Pinot Noir and Chardonnay.
The grapes were hand harvested during the cool early hours of the day and brought to the winery quickly for processing. The free-run juice from the press was cold settled overnight before being racked, warmed and inoculated. A smooth ferment progressed to dryness, followed by malolactic fermentation. The young wine was then prepared for bottle fermentation and aged on lees for an extended period. In 2016 the wine was finished and released to celebrate our 40th vintage at Seifried’s. Chris Seifried.
The Cornfield Vineyard is situated on a wide river flat. The soil is gravelly sandy loam, which marks the sites of Maori kumara beds (sweet potato) prior to European settlement in the early 1800’s. The Maori transferred and spread fine gravel and sand over the land to provide suitable soils for their kumara pla
New Zealand’s wine export values continue to rise thanks to strong United States demand, reaching $1.66 billion for the year, up 6 per cent on the year before.
While the percentage increase is lower than the average yearly growth of 17 per cent for the last 20 years, the industry was still on track to reach $2b worth of exports by 2020, chairman of New Zealand Winegrowers Steve Green said.
The latest NZ Winegrowers annual report shows to the end of June this year, the US market is worth $517 million, up 12 per cent. New Zealand wine became the third most valuable wine import into the US, behind only France and Italy.
Green forecast next year’s export volumes would be “more muted” because of the smaller harvest of 396,000 tonnes, down 9 per cent on 2016, but wineries were confident quality would remain high.
While the US provided the best returns, more litres of wine (74 million) were exported to the United Kingdom for a much smaller return of $389m. Traditionally more bulk wine has been sent into the UK market. Behind the US and the UK came Australia, Canada, the Netherlands and China.
The most exported variety was sauvignon blanc, followed by pinot noir and chardonnay.
The recently passed Geographical Indications (Wine and Spirits) Registration Act would offer improved protection of New Zealand’s regional identities. The industry had also launched the sustainable winegrowing New Zealand continuous improvement extension programme to enhance the reputation of wines.
Of a total growing area of 37,129 hectares, sauvignon dominates at 22,085 ha, an increase of 685 ha from the year before. The second most popular variety was pinot noir, with 5653 ha, followed by chardonnay at 3203 ha and pinot gris (2469 ha).
Marlborough is overwhelmingly the largest region with 25,135 ha planted in vines, followed by Hawke’s Bay (4694 ha), Central Otago (1896 ha) and Canterbury/Waipara (1425 ha).
The number of wineries was 677; they reached a peak of 703 in 2012.
New Zealanders drank 40 million litres of imported wine during the past year, most of it Australian (29m litres), with the next two most popular French and Chilean.
The November Kaikoura earthquake damaged an estimated 20 per cent of Marlborough’s tank capacity, but by harvest time all of the lost capacity had been restored or replaced.
Green said the industry consulted with members on possible changes to export tasting requirements, with responses suggesting a rethink of export requirements was needed.
“We continue to believe more needs to be done in our export legislation to ensure that the same standards apply to every bottle of New Zealand wine, no matter where it is bottled,” Green said.
NZ Winegrowers were concerned at the Ministry for Primary Industries’ plan to take part of New Zealand Winegrowers’ wine export certification service contract in-house.
“We fought hard to retain the status quo, which has served our members well, and are disappointed with the level of industry consultation in MPI’s decision making process. If the service changes, we will be seeking guarantees from the government that the current speedy issuance of export eligibility statements will be protected, at no additional cost to members,” Green said.
In June the New Zealand Grape Growers Council and the Wine Institute of New Zealand finished as entities, replaced by a unified New Zealand Winegrowers.
New Zealand is now the only major wine producing nation with a single industry body, representing and advocating for the interests of its entire grape and wine industry.
The industry and the Government are working through a Primary Growth Partnership on research into lighter wine production and marketing. Last year retail sales reached $33.5m. The programme runs through to 2021, by which time $16.97m would have been spent on the partnership.
Organic wine production continues to flourish with more than 60 New Zealand wineries now making fully certified organic wines, and more still in the organic conversion process.
Anna Seifried gave a presentation about the history of her family and the vineyard, where the wines were not the focus of the tasting, leaving the wines to speak for themselves. It was an enjoyable, fascinating presentation which was well received by those who attended the meeting. Anna was a confident and polished speaker and the presentation was well supported by a slide show. She intends to use the presentation in the near future on a planned overseas trip to potential markets. The weather was not the best on the night and a number of people were away due to sickness and other reasons.
24 people attended the tasting which was slightly lower than we had hoped for but despite these orders were good and Anna was pleased with how the meeting had gone.
Just to recap, the wines tasted included; the Old Coach Road Sauvignon Blanc 2017 (pre-release) as a quaffer and was followed with;
Glengarry’s Sunday ramblings of all things vinous, grain and glorious. A tour of Italy – Part 1 comes from The Sunday Sediment Issue 5.
Veneto is home to the glorious sinking city of Venice and the romantic jewel that is Verona. Here, you’ll find great value Soave, Valpolicella and Bardolino wines. Less than half of the wine produced in Veneto is able to be labelled with the Italian quality mark of DOC, with large quantities of IGT (table wine) produced there, making it an important region for quantity. It is also home to the superstar Amarone, and to the sparkling Prosecco wines made in Conegliano-Valdobbiadene. Read more in the Glengarry Wineletter – #232 August 2017.
Piemonte produces some of Italy’s most long-lived wines. A treasure trove of culinary delights, it is home to Barolo, Barbaresco, truffles and hazelnuts. The predominant red grapes are the indigenous Nebbiolo, Barbera and Dolcetto, the whites, Arneis and Moscato. The wines are distinctly regional and oozing with flair. Lovers of Pinot Noir will feel right at home with Nebbiolo, which is bottled in its own right as well as being the variety behind the famed Barolo wines. Read more in the Glengarry Wineletter – #232 August 2017.
A long with Piemonte, Toscana (Tuscany) has the highest percentage of top-tier DOCG wines, and is home to the scarlet giants Chianti, Brunello di Montalcino and Vino Nobile di Montepulciano. It is here that the new meets the old head-on, giving rise to the so-called Super Tuscans. The main variety in Tuscany is Sangiovese, used to make Chianti, with the variety’s greatest expression derived from the legendary Brunello clone developed by Montalcino’s Biondi-Santi family.
Read more in the Glengarry Wineletter – #232 August 2017.
June is always a challenging month for arranging a wine tasting as the weather can be adverse and once we get home, often means that we can be reluctant to leave again. Last month’s tasting was like that with a really unpleasant Wellington day.
Still, 28 hearty souls made it to our tasting that night and were rewarded with an excellent presentation from Richard Macdonald. Richard’s knowledge of Giesen and their product was insightful as he led us through 3 whites, 3 reds and a Rose.
This Rose was delightful, even on a cold wintery night with good fruit and a soft lingering taste. Interestingly it was also the wine most ordered on the night. Other wines enjoyed, if the orders are anything to go by, were the 2014 Brothers Gewürztraminer and 2013 Brothers Pinot Noir. This latter wine also provided a reminder that Marlborough vineyards with a touch of age are now beginning to provide pinots that a real value for money as their quality begins to match their cousins from Martinborough and Central Otago.
Another wine to surprise on the night was the Organic Sauvignon Blanc that was used as our meet and greet wine. This had great fruit flavour without that aggressive grassy nose that many other SBs from this region often have, well to me anyway, and consequently, I very much enjoyed it as our starter for the evening.
The whites ended with the much celebrated 2014 Fuder Clayvin Chardonnay. Fuder, refers to the type of barrel used. It’s much larger than what we normally see in NZ and its purpose to evolve the texture of the wine without overpowering it with oak. It certainly did this for me and with its full body and slightly citrus notes, it was a wine that I had been really looking forward to tasting, given it had won Elite Gold at the 2016 Air NZ Wine Awards. The only disappointment was that I could not afford the $50 order form cost, despite its discounted value, as I decided to purchase the 2012 Eight Songs Shiraz instead.
Giesens are also the NZ agent for a small range of Peter Lehman reds. Richard ended our tasting with two of these, the 2014 Hills & Valley Shiraz and the 2012 Eight Songs Shiraz. The latter, if I’m not wrong, was probably the most expensive Shiraz the club has tasted, although last year’s 2013 Elderton Neil Ashmead Grand Tourer Shiraz did come close.
The 2012 Eight Songs was named after one of Peter Lehman’s favourite vocal ensemble musical works, loved for its soft harmonies. Apparently, this inspired Peter Lehman to emulate that artistry in a wine and it has resulted in a very soft stylish wine that is quite foreboding with its very black core, yet elegant with its lovely integration of mocha chocolate and dark plum characteristics. A great tasting from Richard Macdonald and one that I think many would be sad that they missed.